I was not expecting to like The Rocky Horror Picture Show as much as I have. I'm not generally a fan of musicals (with one conspicuous exception), and while I do enjoy engaging in transvestitism, it's because I like the clothing that looks sexy on girls, not because I like to see other men wearing it. And though I'm very tolerant of alternative lifestyles, I've never really been very connected to the 'queer' community (I hope that's not offensive, I use the term with affection). I wonder how much my appreciation for Rocky Horror is related to my experience humping a hot girl in lingerie on stage the night I first saw it, at the theater. But now that I've had a chance to watch the movie again at home (so I can actually understand what's going on - not that the story makes a whole lot of sense anyway), I still find that I like it.
"It's not easy having a good time."
Now, the iconic image of this movie is that of Tim Curry dressed in drag, who spends much of the movie pining for a buff man in skimpy underwear. But the fact is, you don't have to be gay to like the film. My favorite scene is when Janet tears off most of her clothing and gets fondled by Rocky. Curry's character Frank-N-Furter is more pansexual than anything - he's neither straight nor gay, he's just free of hangups and social conventions. It was actually a queer interpretation of the film (in response to Glee's recent emasculation of the story's thrust) that increased my appreciation for what it stands for. It's all about the triumph of the counterculture over boring, traditional (prudish) values. If you can get over the sexual hangups, 'queer' culture is just another form of social rebellion; queer is to straight as freak is to square (akin to the kink community's usage of the term 'vanilla'). 'Heterosexual' and 'straight' don't have to be synonymous.
"What's this, let's see - I feel...sexy."
The movie itself is highly quirky, and very bizarre. But wonder of wonders, it's actually good - despite being a send-up of the horror/sci-fi b movie features it adoringly mocks. Rocky Horror is actually not all that scary - although it's essentially a perversion (literally) of the Frankenstein story - and is as much sci-fi as anything else. But what it is mostly is fun, and I'm sure that's why it has such an enthusiastic cult following. And that's precisely the atmosphere that's amplified in the theater when you go to see the movie complete with audience participation, costumes, and maybe even a shadow cast. It's all about having fun. And the music is pretty good, too. ;-)
However, I still prefer Tim Curry as the Lord of Darkness to an alien transvestite. :p
"Don't dream it - be it."
Note to "virgins": If you're interested in discovering what all the fuss is about, and you're trying to decide whether to watch The Rocky Horror Picture Show for the first time in a theater or at home, I say, it can't hurt to watch it at home first. Unless you see it with a pretty small crowd, you're going to have a hard time following the story and dialogue/songs through all the 'audience participation'. Once you've seen it at home, then I think you'll be in a better position to appreciate the excitement of seeing it with a crowd (and yeah, it's worth experiencing at least once - more if you end up liking it).
Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts
Thursday, November 3, 2011
Thursday, January 7, 2010
The [Animated] Lord of the Rings (1977, 1978, 1980)
Note: This review was originally posted on Bridge To Better Days. I am reposting it here for archival purposes. It has been backdated to the date of its original posting.
Next on my list of holiday swag is the animated Lord of the Rings "trilogy". If I'd ever watched these before, I don't remember them. And it's quite possible that I hadn't, because I recall that my first introduction to Tolkien's epic was through the original novels themselves, and if I remember that, I should be able to remember following up with the animated films. On the other hand, it's also possible that I may have seen one or more of them before reading the books, and promptly forgot about them. Regardless, the point is, I don't remember having seen these before, though I had heard of them, so it was interesting to watch them, especially with Peter Jackson's live action adaptation completed (minus The Hobbit, at least).
I put "trilogy" in quotes above (and, well, here, too) because, though there are three movies, they aren't strictly connected. The Lord of the Rings covers material from The Fellowship of the Ring and The Two Towers, whereas The Return of the King feels more like a sequel to The Hobbit (both of which are Rankin Bass productions) than a continuation of The Lord of the Rings (a Ralph Bakshi film - the same guy who did Wizards).
The Hobbit was pretty good. More or less primitive animation, but it certainly works as a [generally speaking] children's tale. The goblins were actually pretty scary, the way they were drawn, and Smaug was satisfactorily intimidating. I liked Gollum, too - he had a kind of froggy look to him, and his voice/mannerisms were an effective characterization for him, I think.
The Lord of the Rings follows in Bakshi's tradition of using a lot of rotoscoping, which means taking live action film clips and drawing over them. I think the effect worked perfectly in Wizards, but I must say, The Lord of the Rings is a story that I think would have benefited from a more coherent animation style. The rotoscoping effect is really neat, but it seems overused here, and it gets to a point where it's like the film can't decide whether it wants to be animated or live action...
Otherwise, though, the film is not bad. It is downright eerie how similar some of the voices in this film are to those used in Peter Jackson's adaptations, even down to the accents - Frodo and Sam especially. Also, Bakshi's Gollum is less froggy than Rankin Bass's, and actually looks very similar to, again, Peter Jackson's (he's got the same mannerisms, as well). There's no question in my mind that the similarities between this film and Jackson's are not purely coincidental. The story ends at the conclusion to the battle at Helm's Deep, minus Saruman's downfall, the battle of the Ents, or Frodo's encounter with Shelob.
The Return of the King, returning to the animation style of The Hobbit, suffers from trying to pick up a story right in the middle. As I mentioned above, it doesn't pick up where The Lord of the Rings left off, but instead tries to join the story right in the middle, or rather, towards the end, briefly (though maybe not brief enough) recapping everything that's happened up to that point. Some events are thus completely missed, such as those also missing from Bakshi's film - Saruman's end, Shelob, etc.
I did, however, like the depiction of Mordor in this movie. And the Watchers that guard the gates to Cirith Ungol were dealt with much more effectively here than in Peter Jackson's live action adaptation, which is one of the few sticking complaints I had about Jackson's go at the story (since those Watchers were one of the things that stuck in my mind the most from reading the original novels). Otherwise, though, this film overdid the bard treatment, throwing in so many songs that it started to feel like a musical. >.> The songs were effective, but maybe repeated a few too many times. "Where there's a whip there's a way", sung by the orcs (who look just like the creepy goblins from The Hobbit) was amusing, though.
I also liked seeing Eowyn (even if there was no sign of Arwen - I know, I know, her part in the original story wasn't so big to begin with), though the leader of the Ringwraiths had a really stupid voice. Speaking of which, I noticed that some of the Ringwraiths (minus the leader who had a dragon) were riding flying black horses. When I originally read the story, that's how I interpreted "flying steed", so it was neat seeing them depicted that way. Yeah, flying black mini-dragons make a lot more sense, and look really cool. But, well, there's something about first impressions...
Next on my list of holiday swag is the animated Lord of the Rings "trilogy". If I'd ever watched these before, I don't remember them. And it's quite possible that I hadn't, because I recall that my first introduction to Tolkien's epic was through the original novels themselves, and if I remember that, I should be able to remember following up with the animated films. On the other hand, it's also possible that I may have seen one or more of them before reading the books, and promptly forgot about them. Regardless, the point is, I don't remember having seen these before, though I had heard of them, so it was interesting to watch them, especially with Peter Jackson's live action adaptation completed (minus The Hobbit, at least).
I put "trilogy" in quotes above (and, well, here, too) because, though there are three movies, they aren't strictly connected. The Lord of the Rings covers material from The Fellowship of the Ring and The Two Towers, whereas The Return of the King feels more like a sequel to The Hobbit (both of which are Rankin Bass productions) than a continuation of The Lord of the Rings (a Ralph Bakshi film - the same guy who did Wizards).
The Hobbit was pretty good. More or less primitive animation, but it certainly works as a [generally speaking] children's tale. The goblins were actually pretty scary, the way they were drawn, and Smaug was satisfactorily intimidating. I liked Gollum, too - he had a kind of froggy look to him, and his voice/mannerisms were an effective characterization for him, I think.
The Lord of the Rings follows in Bakshi's tradition of using a lot of rotoscoping, which means taking live action film clips and drawing over them. I think the effect worked perfectly in Wizards, but I must say, The Lord of the Rings is a story that I think would have benefited from a more coherent animation style. The rotoscoping effect is really neat, but it seems overused here, and it gets to a point where it's like the film can't decide whether it wants to be animated or live action...
Otherwise, though, the film is not bad. It is downright eerie how similar some of the voices in this film are to those used in Peter Jackson's adaptations, even down to the accents - Frodo and Sam especially. Also, Bakshi's Gollum is less froggy than Rankin Bass's, and actually looks very similar to, again, Peter Jackson's (he's got the same mannerisms, as well). There's no question in my mind that the similarities between this film and Jackson's are not purely coincidental. The story ends at the conclusion to the battle at Helm's Deep, minus Saruman's downfall, the battle of the Ents, or Frodo's encounter with Shelob.
The Return of the King, returning to the animation style of The Hobbit, suffers from trying to pick up a story right in the middle. As I mentioned above, it doesn't pick up where The Lord of the Rings left off, but instead tries to join the story right in the middle, or rather, towards the end, briefly (though maybe not brief enough) recapping everything that's happened up to that point. Some events are thus completely missed, such as those also missing from Bakshi's film - Saruman's end, Shelob, etc.
I did, however, like the depiction of Mordor in this movie. And the Watchers that guard the gates to Cirith Ungol were dealt with much more effectively here than in Peter Jackson's live action adaptation, which is one of the few sticking complaints I had about Jackson's go at the story (since those Watchers were one of the things that stuck in my mind the most from reading the original novels). Otherwise, though, this film overdid the bard treatment, throwing in so many songs that it started to feel like a musical. >.> The songs were effective, but maybe repeated a few too many times. "Where there's a whip there's a way", sung by the orcs (who look just like the creepy goblins from The Hobbit) was amusing, though.
I also liked seeing Eowyn (even if there was no sign of Arwen - I know, I know, her part in the original story wasn't so big to begin with), though the leader of the Ringwraiths had a really stupid voice. Speaking of which, I noticed that some of the Ringwraiths (minus the leader who had a dragon) were riding flying black horses. When I originally read the story, that's how I interpreted "flying steed", so it was neat seeing them depicted that way. Yeah, flying black mini-dragons make a lot more sense, and look really cool. But, well, there's something about first impressions...
Friday, January 4, 2008
My Favorite Movies
Note: This review was originally posted on Bridge To Better Days. I am reposting it here for archival purposes. It has been backdated to the date of its original posting.
(More recent additions can be found at the end of the list)
I love watching movies. Maybe it's not as intellectual or high-brow as reading a book, but it's easier because you can put in a two-hour commitment and then you know you'll be finished. Plus, it's just less effort. Anyhow, my favorite genre is horror, but I enjoy drama, fantasy, and sci-fi flicks quite a bit as well. For those that know me, there may or may not be any surprises in this list, but here is generally what I consider to be my favorite movies of all time (not necessarily in any particular order):
Jacob's Ladder (1990)
Strangely, it seems that most of my favorite movies are ones that I inadvertently caught on TV unexpectedly once or more times, and slowly grew on me over time. The first time I saw Jacob's Ladder was in the month of October, during one of the major channels' horror showcases. I don't remember what year it was, but it can't have been later than 2000, and it wasn't more than a couple years earlier than that. I only caught part of the movie, so I had even less of an idea what was actually going on, but that didn't dull its effect on me. I specifically remember the dance-party scene, with the bloody snapping dog skull and the grind-beast. Boy, that totally blew my mind, that a movie could have such horrifying and yet realistic depictions of demonic beings, in a sophisticated manner, where the filming style and pacing of the story add a very disjointed and psychological aspect to the imagery. And then the story itself was so sublimely emotional, and the film was shot in a very careful manner, that you could jump between a confusing scene where you don't quite know what's going on as horrific images pass by left and right, and then enter a serenely peaceful scene that's relaxing yet carries a sad sense that things are not going so well and that hell could break loose again at any time. I'm not absolutely certain, but I believe this may have been the movie that ignited my deep fascination with the theme of "the journey to the afterlife".
Dead Man (1995)
I was attracted to this movie for Neil Young's score alone, but the film managed to win me over completely. The subject matter of journeying into the afterlife parallels the theme of Jacob's Ladder, but deals with it in a distinctly unique, and somewhat more abstract and symbolic, manner. In case I haven't made it clear, the soundtrack is downright spectacular. Some of Young's most haunting soundscapes, not tied down to the usual barriers of "words" and "songs". In fact, the soundtrack is almost like another character in the movie, lurking in the background, waiting to jump out and accentuate certain sections here and there. Johnny Depp plays an excellent confused accidental-outlaw, who gradually comes to accept as fact the riddles Nobody offers him (Nobody is his enigmatic Indian guide), confusing him for the poet William Blake, with which Depp's character shares a name. The story is bizarre, and moves along slowly, but the atmosphere is consuming. Though it appears to be a western on the surface, Dead Man is really far from the genre stereotype. This movie (in addition to Blow) turned me into a Johnny Depp fan. Anyone who would play the lead role in a film this obviously eccentric, and pull it off so well, deserves my respect and admiration.
Midnight Express (1978)
This is another movie I first saw on TV. My dad was watching it, and he deserves the honor of having introduced it to me. I caught the beginning of the movie over dinner, knowing nothing of what I was in for. William Hayes (the movie is based on the real life story of William Hayes) gets busted in a foreign country for trying to smuggle drugs over the border. He gets tossed into a rather frightening Turkish prison, and all his attempts to legally extricate himself from the situation get quashed by a political system that wishes to make an example of Hayes, to discourage smuggling. The sheer terror of being stuck in a foreign prison, so far from anything that is familiar, with people that don't even speak your language, and above all that, being a victim of some injustice your family and your country can do nothing about, is terrifying indeed. I was gripped by the movie and continued to watch the rest of it in my room. The physical and psychological torture that William Hayes endures, as he faces thirty years in a dirty foreign prison for a petty crime, and the painful journey he makes to try to escape from it beyond the unjust 'rules of the game' are incredibly intense and emotionally powerful. This is a story of true struggle, against the unfair odds that life sometimes throws upon us, and the ultimate lengths to which we must go if we are to have any hope for the future. An absolutely outstanding story, executed to perfection in this film adaptation. To think that it is based on a true story is terrifying, indeed.
The Passion Of Darkly Noon (1995)
Yet another movie that I caught on TV first. I saw this one a long time ago, then forgot about it for awhile, before remembering it once again and bringing it back to the forefront of my knowledge. This is truly a bizarre tale, but beautiful in so many ways. At times it seems like something that could have really happened, other times it feels like a fairy tale. The underlying theme, as indicated by the title, is passion, and the power it has to consume our mortal souls. Ashley Judd plays a convincing Callie (Kali?), part lonely wood nymph, part evil seductress. Brendan Fraser ropes in a mesmerizing performance as the innocent Darkly Noon, raised strictly by his ultra-religious parents, whom he is separated from by a fire which precedes the opening of the story. Now lost and alone in the middle of an unfamiliar forest, he is befriended by the beautiful Callie, for which he begins having feelings he doesn't quite know how to handle. An old woman who lives elsewhere in the forest provides a darker characterization of Callie, leaving the viewer uncertain of her true nature or intentions. Naturally, when Callie's mute lover returns from a long voyage, Darkly's jealousy gets the most of him, and he seems to summon up the rage of the devil himself just before an incredible climax. The plot aside, it is the beautifully enchanting and surreal atmosphere of the film, juxtaposed against the all-too-normal scenes, that really gives this film a unique and engrossing flavor. The scene with the floating circus shoe is just downright brilliant. But not only because it's random. If that were the case, I'd have much less respect for it. But because it has such a normal, rational explanation, yet the coincidence of its appearance yields something very profound, just makes it so magical for me. Fantastic all around.
Lost And Delirious (2001)
Unfortunately, this film doesn't get exactly the kind of attention it deserves, being a love story set in an all-girls dormitory, but make no bones about it - this film is modern Shakespeare. It is at times endearing, watching these young girls shedding their innocence, and at times heartbreaking, watching them crack under the pressures and realities of life. Watching this film had a profound effect on me, because I was simultaneously in awe of its beauty, and depressed at its inevitable conclusion. Is there anything in life more powerful, more important, than love? Can love truly destroy all barriers? And is love even more important than life itself? How do you deal with life when it takes away from you the one thing that truly matters? Do you try to move on, and conform to the role that's been laid out for you, or are you resolved to remain free and enlightened for eternity, at the ultimate cost? "Once you're up there at the top, looking down on everyone else, you're there forever, because if you move, you fall."
School of Rock (2003)
Originally, I didn't give this film much attention, because I figured a movie about kids starting a rock band would naturally be a little low-brow for me. I was wrong. And even though Jack Black isn't really my kind of comedian (not that I'm really into comedy much, anyway), I think he was perfect in this role. The philosophy of the movie is spot on, about the power and importance of music in life, and what it means to rock out. And I have to say, the kids are adorable, and the jokes are actually damn funny. This is one of those movies that I agree with on many levels, but don't really have to think about to enjoy it. I can just sit back and watch it over and over again and love every minute of it. I'm really not that kind of a movie-watcher, but this one is good enough to be an exception! That should explain enough.
John Carpenter's The Thing (1982)
I guess this means that I can't ever say that remakes are terrible based on principle alone! But this one does it right, by going back to the source material and taking advantage of what the previous effort ignored. The result is a fantastic story with a very paranoid and claustrophobic atmosphere. Set in a research base out in the middle of Antarctica, a team of scientists becomes the target of an extraterrestrial lifeform, freed from the ice, which can disguise itself like a chameleon by assimilating the cells of its victims and morphing into an exact biological duplicate. This is an excellent premise, as the story focuses on the paranoia experienced by the scientists, who have no idea which one is the alien, hiding behind a familiar face, waiting for the right moment to strike. And before you start thinking that this is just a ploy not to have to design any complicated monster fx, the truth is that this movie has some of the most spectacular special effects in any movie I've ever seen. Not all of it is exactly believable, but it's convincing within context, and the effects themselves are very well-done and so over the top that it can't help but give you nightmares. The problem with most monster movies is that they either don't show enough of the monster, or they do and it looks terrible (either it looks fake or just not scary). But this movie doesn't have this problem. Add to that the tense atmosphere and suspenseful pacing, and you have a true winner of a horror film. Top grade.
Legend (1985)
Peter Jackson's fantastic adaptation of The Lord of The Rings aside, Legend is probably my favorite fantasy film. It paints such a picture, with the engrossing environments, and the simply out-of-this-world soundtrack by Tangerine Dream. My older brother also did his part in hyping up the movie in my younger years, remarking at how scary it was, with the depiction of Lord Darkness and all ("Black as darkness, black as pitch, blacker than the foulest witch!"). In my mind, everything about this film, from the characters to the lines, even to the character's voices and the way they say their lines, is classic. I love the dichotomy in this film, between light and darkness, and between hope and despair. You've got princesses, unicorns, elves and faeries, goblins and demons, the devil himself, enchanted forests and labyrinthine tunnels. And the best part is that it doesn't feel childish. It's all dead serious. And very artistic. I love it.
The Matrix (1999)
Probably my favorite sci-fi film, The Matrix is mind-blowing. And although the first movie gets the most exposure, you really can't talk about it without bringing in the continuation of the story in the two sequels. Still, the premise of the original alone is enough to get people's attention. What if the world as we know it is just an illusion, a computer program created to deceive us humans, so that we never realize that we are slaves to a race of machines out in the real world, who rely on our energy as their primary power source? Maybe the idea has been thrown around in various forms over the years, but this movie encapsulates the confusion of such a hypothesis in such a simultaneously entertaining and engaging manner. Meanwhile, it manages to ask all the myriad other philosophical brain-fuck questions that college students tend to ask when they're sitting up late, drinking some coffee after a last-minute study session before the next day's exam. This movie is cool.
Aliens (1986)
The Alien movies had a huge impact on my youth, and of the original trilogy, it was the middle child that made the biggest impression on me. The first movie was groundbreaking, and terrifying, but the first sequel upped the ante by literally multiplying the alien threat many times over. This movie gave me nightmares. The hive, with the victims all gooed up, awaiting their inevitable and torturous death; the paranoia of the team with the aliens closing in and them not knowing how to escape or survive; and the Queen, by god, the Queen. Absolutely terrifying, and so powerful in its execution. Few movies (particularly horror and sci-fi) have ever managed to create such a believable and terrifying creature design, but H.R. Giger pulled through on the general form of the xenomorph. Well done.
Omissions (movies that should have been included on this list, but were omitted):
28 Days Later (2002) [and 28 Weeks Later (2007)]
Not only did 28 Days Later reinvent the zombie horror subgenre, it's the movie that made me a horror fan. And what's more, it also introduced me to a whole new genre of music - post-rock, thanks to the perfect placement of a Godspeed You! Black Emperor song in the scene just after Jim wakes up in a hospital to learn that, as far as he can tell, the entire world has been wiped out while he was unconscious. Well, except for those bloodthirsty "zombies" scattered about the city, all of which are twenty times faster - and angrier - than your typical Romero-style undead. This is an intense movie, and one of the best post-apocalyptic approaches I've yet seen in film. The sequel, 28 Weeks Later, is also not to be missed.
Jesus Christ Superstar (1973)
I'm not typically a fan of musicals. I don't like movies that periodically break out into ridiculous song and dance routines. However, Jesus Christ Superstar is a different kind of musical - actually more of a rock opera. The whole thing is music, and it's not crappy music, but good 70's rock-tinged music. As for the story, not only is it one of the biggest stories of all time (I mean, the crucifixion of Christ, come on), but this adaptation of the story has an approach that I really dig, even though I'm not a very religious person. I was singing this rock opera word for word, start to finish, when I was young, and it still comes back to me every now and again.
The 36th Chamber of Shaolin (1978) a.k.a. Master Killer
The truth is, I enjoy watching martial arts movies, but I haven't seen a whole lot of them. Still, Shaolin Master Killer stands out from the crowd. Any self-respecting martial arts flick has its share of kickass fight scenes, but what sets Master Killer apart is its focus on the training process. The bulk of the film, between the setup and the conclusion, follows our main character (played by Gordon Liu)'s efforts at mastering the 35 chambers of kung fu at the Shaolin temple - first training each part of his body, and then learning various weapons and fighting styles. By giving the moves this kind of contextual meaning and background, the fights are far more interesting and satisfying to the viewer. Even apart from that, it's an all around good film.
Additions (movies that have been added to my favorites since the original posting of this list):
Innocence (2004)
The Runaways (2010)
Bug (2006) - A claustrophobic character study (adapted from a stage play) of a burn-out and a schizophrenic (played by Ashley Judd and Michael Shannon, respectively) who together descend into paranoiac insanity when they begin to suspect they are at the heart of a government conspiracy to implant the public with organic insectoid transmitters.
The Beguiled (1971) - Clint Eastwood stars in this erotic thriller set during the American Civil War. A wounded soldier in enemy territory ends up at a girls' seminary school, and attempts to charm each of the women there in the hopes of making an escape - but the women may not be as vulnerable as they seem.
Kissed (1996)
Black Snake Moan (2006) - Samuel L. Jackson and Christina Ricci star as a farmer and a nymphomaniac in search of spiritual peace in this soulful, blues-drenched erotic drama.
(More recent additions can be found at the end of the list)
I love watching movies. Maybe it's not as intellectual or high-brow as reading a book, but it's easier because you can put in a two-hour commitment and then you know you'll be finished. Plus, it's just less effort. Anyhow, my favorite genre is horror, but I enjoy drama, fantasy, and sci-fi flicks quite a bit as well. For those that know me, there may or may not be any surprises in this list, but here is generally what I consider to be my favorite movies of all time (not necessarily in any particular order):
Jacob's Ladder (1990)
Strangely, it seems that most of my favorite movies are ones that I inadvertently caught on TV unexpectedly once or more times, and slowly grew on me over time. The first time I saw Jacob's Ladder was in the month of October, during one of the major channels' horror showcases. I don't remember what year it was, but it can't have been later than 2000, and it wasn't more than a couple years earlier than that. I only caught part of the movie, so I had even less of an idea what was actually going on, but that didn't dull its effect on me. I specifically remember the dance-party scene, with the bloody snapping dog skull and the grind-beast. Boy, that totally blew my mind, that a movie could have such horrifying and yet realistic depictions of demonic beings, in a sophisticated manner, where the filming style and pacing of the story add a very disjointed and psychological aspect to the imagery. And then the story itself was so sublimely emotional, and the film was shot in a very careful manner, that you could jump between a confusing scene where you don't quite know what's going on as horrific images pass by left and right, and then enter a serenely peaceful scene that's relaxing yet carries a sad sense that things are not going so well and that hell could break loose again at any time. I'm not absolutely certain, but I believe this may have been the movie that ignited my deep fascination with the theme of "the journey to the afterlife".
Dead Man (1995)
I was attracted to this movie for Neil Young's score alone, but the film managed to win me over completely. The subject matter of journeying into the afterlife parallels the theme of Jacob's Ladder, but deals with it in a distinctly unique, and somewhat more abstract and symbolic, manner. In case I haven't made it clear, the soundtrack is downright spectacular. Some of Young's most haunting soundscapes, not tied down to the usual barriers of "words" and "songs". In fact, the soundtrack is almost like another character in the movie, lurking in the background, waiting to jump out and accentuate certain sections here and there. Johnny Depp plays an excellent confused accidental-outlaw, who gradually comes to accept as fact the riddles Nobody offers him (Nobody is his enigmatic Indian guide), confusing him for the poet William Blake, with which Depp's character shares a name. The story is bizarre, and moves along slowly, but the atmosphere is consuming. Though it appears to be a western on the surface, Dead Man is really far from the genre stereotype. This movie (in addition to Blow) turned me into a Johnny Depp fan. Anyone who would play the lead role in a film this obviously eccentric, and pull it off so well, deserves my respect and admiration.
Midnight Express (1978)
This is another movie I first saw on TV. My dad was watching it, and he deserves the honor of having introduced it to me. I caught the beginning of the movie over dinner, knowing nothing of what I was in for. William Hayes (the movie is based on the real life story of William Hayes) gets busted in a foreign country for trying to smuggle drugs over the border. He gets tossed into a rather frightening Turkish prison, and all his attempts to legally extricate himself from the situation get quashed by a political system that wishes to make an example of Hayes, to discourage smuggling. The sheer terror of being stuck in a foreign prison, so far from anything that is familiar, with people that don't even speak your language, and above all that, being a victim of some injustice your family and your country can do nothing about, is terrifying indeed. I was gripped by the movie and continued to watch the rest of it in my room. The physical and psychological torture that William Hayes endures, as he faces thirty years in a dirty foreign prison for a petty crime, and the painful journey he makes to try to escape from it beyond the unjust 'rules of the game' are incredibly intense and emotionally powerful. This is a story of true struggle, against the unfair odds that life sometimes throws upon us, and the ultimate lengths to which we must go if we are to have any hope for the future. An absolutely outstanding story, executed to perfection in this film adaptation. To think that it is based on a true story is terrifying, indeed.
The Passion Of Darkly Noon (1995)
Yet another movie that I caught on TV first. I saw this one a long time ago, then forgot about it for awhile, before remembering it once again and bringing it back to the forefront of my knowledge. This is truly a bizarre tale, but beautiful in so many ways. At times it seems like something that could have really happened, other times it feels like a fairy tale. The underlying theme, as indicated by the title, is passion, and the power it has to consume our mortal souls. Ashley Judd plays a convincing Callie (Kali?), part lonely wood nymph, part evil seductress. Brendan Fraser ropes in a mesmerizing performance as the innocent Darkly Noon, raised strictly by his ultra-religious parents, whom he is separated from by a fire which precedes the opening of the story. Now lost and alone in the middle of an unfamiliar forest, he is befriended by the beautiful Callie, for which he begins having feelings he doesn't quite know how to handle. An old woman who lives elsewhere in the forest provides a darker characterization of Callie, leaving the viewer uncertain of her true nature or intentions. Naturally, when Callie's mute lover returns from a long voyage, Darkly's jealousy gets the most of him, and he seems to summon up the rage of the devil himself just before an incredible climax. The plot aside, it is the beautifully enchanting and surreal atmosphere of the film, juxtaposed against the all-too-normal scenes, that really gives this film a unique and engrossing flavor. The scene with the floating circus shoe is just downright brilliant. But not only because it's random. If that were the case, I'd have much less respect for it. But because it has such a normal, rational explanation, yet the coincidence of its appearance yields something very profound, just makes it so magical for me. Fantastic all around.
Lost And Delirious (2001)
Unfortunately, this film doesn't get exactly the kind of attention it deserves, being a love story set in an all-girls dormitory, but make no bones about it - this film is modern Shakespeare. It is at times endearing, watching these young girls shedding their innocence, and at times heartbreaking, watching them crack under the pressures and realities of life. Watching this film had a profound effect on me, because I was simultaneously in awe of its beauty, and depressed at its inevitable conclusion. Is there anything in life more powerful, more important, than love? Can love truly destroy all barriers? And is love even more important than life itself? How do you deal with life when it takes away from you the one thing that truly matters? Do you try to move on, and conform to the role that's been laid out for you, or are you resolved to remain free and enlightened for eternity, at the ultimate cost? "Once you're up there at the top, looking down on everyone else, you're there forever, because if you move, you fall."
School of Rock (2003)
Originally, I didn't give this film much attention, because I figured a movie about kids starting a rock band would naturally be a little low-brow for me. I was wrong. And even though Jack Black isn't really my kind of comedian (not that I'm really into comedy much, anyway), I think he was perfect in this role. The philosophy of the movie is spot on, about the power and importance of music in life, and what it means to rock out. And I have to say, the kids are adorable, and the jokes are actually damn funny. This is one of those movies that I agree with on many levels, but don't really have to think about to enjoy it. I can just sit back and watch it over and over again and love every minute of it. I'm really not that kind of a movie-watcher, but this one is good enough to be an exception! That should explain enough.
John Carpenter's The Thing (1982)
I guess this means that I can't ever say that remakes are terrible based on principle alone! But this one does it right, by going back to the source material and taking advantage of what the previous effort ignored. The result is a fantastic story with a very paranoid and claustrophobic atmosphere. Set in a research base out in the middle of Antarctica, a team of scientists becomes the target of an extraterrestrial lifeform, freed from the ice, which can disguise itself like a chameleon by assimilating the cells of its victims and morphing into an exact biological duplicate. This is an excellent premise, as the story focuses on the paranoia experienced by the scientists, who have no idea which one is the alien, hiding behind a familiar face, waiting for the right moment to strike. And before you start thinking that this is just a ploy not to have to design any complicated monster fx, the truth is that this movie has some of the most spectacular special effects in any movie I've ever seen. Not all of it is exactly believable, but it's convincing within context, and the effects themselves are very well-done and so over the top that it can't help but give you nightmares. The problem with most monster movies is that they either don't show enough of the monster, or they do and it looks terrible (either it looks fake or just not scary). But this movie doesn't have this problem. Add to that the tense atmosphere and suspenseful pacing, and you have a true winner of a horror film. Top grade.
Legend (1985)
Peter Jackson's fantastic adaptation of The Lord of The Rings aside, Legend is probably my favorite fantasy film. It paints such a picture, with the engrossing environments, and the simply out-of-this-world soundtrack by Tangerine Dream. My older brother also did his part in hyping up the movie in my younger years, remarking at how scary it was, with the depiction of Lord Darkness and all ("Black as darkness, black as pitch, blacker than the foulest witch!"). In my mind, everything about this film, from the characters to the lines, even to the character's voices and the way they say their lines, is classic. I love the dichotomy in this film, between light and darkness, and between hope and despair. You've got princesses, unicorns, elves and faeries, goblins and demons, the devil himself, enchanted forests and labyrinthine tunnels. And the best part is that it doesn't feel childish. It's all dead serious. And very artistic. I love it.
The Matrix (1999)
Probably my favorite sci-fi film, The Matrix is mind-blowing. And although the first movie gets the most exposure, you really can't talk about it without bringing in the continuation of the story in the two sequels. Still, the premise of the original alone is enough to get people's attention. What if the world as we know it is just an illusion, a computer program created to deceive us humans, so that we never realize that we are slaves to a race of machines out in the real world, who rely on our energy as their primary power source? Maybe the idea has been thrown around in various forms over the years, but this movie encapsulates the confusion of such a hypothesis in such a simultaneously entertaining and engaging manner. Meanwhile, it manages to ask all the myriad other philosophical brain-fuck questions that college students tend to ask when they're sitting up late, drinking some coffee after a last-minute study session before the next day's exam. This movie is cool.
Aliens (1986)
The Alien movies had a huge impact on my youth, and of the original trilogy, it was the middle child that made the biggest impression on me. The first movie was groundbreaking, and terrifying, but the first sequel upped the ante by literally multiplying the alien threat many times over. This movie gave me nightmares. The hive, with the victims all gooed up, awaiting their inevitable and torturous death; the paranoia of the team with the aliens closing in and them not knowing how to escape or survive; and the Queen, by god, the Queen. Absolutely terrifying, and so powerful in its execution. Few movies (particularly horror and sci-fi) have ever managed to create such a believable and terrifying creature design, but H.R. Giger pulled through on the general form of the xenomorph. Well done.
Omissions (movies that should have been included on this list, but were omitted):
28 Days Later (2002) [and 28 Weeks Later (2007)]
Not only did 28 Days Later reinvent the zombie horror subgenre, it's the movie that made me a horror fan. And what's more, it also introduced me to a whole new genre of music - post-rock, thanks to the perfect placement of a Godspeed You! Black Emperor song in the scene just after Jim wakes up in a hospital to learn that, as far as he can tell, the entire world has been wiped out while he was unconscious. Well, except for those bloodthirsty "zombies" scattered about the city, all of which are twenty times faster - and angrier - than your typical Romero-style undead. This is an intense movie, and one of the best post-apocalyptic approaches I've yet seen in film. The sequel, 28 Weeks Later, is also not to be missed.
Jesus Christ Superstar (1973)
I'm not typically a fan of musicals. I don't like movies that periodically break out into ridiculous song and dance routines. However, Jesus Christ Superstar is a different kind of musical - actually more of a rock opera. The whole thing is music, and it's not crappy music, but good 70's rock-tinged music. As for the story, not only is it one of the biggest stories of all time (I mean, the crucifixion of Christ, come on), but this adaptation of the story has an approach that I really dig, even though I'm not a very religious person. I was singing this rock opera word for word, start to finish, when I was young, and it still comes back to me every now and again.
The 36th Chamber of Shaolin (1978) a.k.a. Master Killer
The truth is, I enjoy watching martial arts movies, but I haven't seen a whole lot of them. Still, Shaolin Master Killer stands out from the crowd. Any self-respecting martial arts flick has its share of kickass fight scenes, but what sets Master Killer apart is its focus on the training process. The bulk of the film, between the setup and the conclusion, follows our main character (played by Gordon Liu)'s efforts at mastering the 35 chambers of kung fu at the Shaolin temple - first training each part of his body, and then learning various weapons and fighting styles. By giving the moves this kind of contextual meaning and background, the fights are far more interesting and satisfying to the viewer. Even apart from that, it's an all around good film.
Additions (movies that have been added to my favorites since the original posting of this list):
Innocence (2004)
The Runaways (2010)
Bug (2006) - A claustrophobic character study (adapted from a stage play) of a burn-out and a schizophrenic (played by Ashley Judd and Michael Shannon, respectively) who together descend into paranoiac insanity when they begin to suspect they are at the heart of a government conspiracy to implant the public with organic insectoid transmitters.
The Beguiled (1971) - Clint Eastwood stars in this erotic thriller set during the American Civil War. A wounded soldier in enemy territory ends up at a girls' seminary school, and attempts to charm each of the women there in the hopes of making an escape - but the women may not be as vulnerable as they seem.
Kissed (1996)
Black Snake Moan (2006) - Samuel L. Jackson and Christina Ricci star as a farmer and a nymphomaniac in search of spiritual peace in this soulful, blues-drenched erotic drama.
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